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Stars indicate the most critically-acclaimed movies.

58
Adam Resurrected
64
Appaloosa
69
Ashes of Time Redux
68
August Evening
54
Battle in Seattle
76
Betrayal - Nerakhoon, The
70
Black Balloon, The
55
Boy in the Striped Pajamas, The
51
Breakfast with Scot
xx
Cargo 200
63
Changeling
66
Che
84
Christmas Tale, A
93
Class, The
38
Dark Streets
57
Defiance
xx
Dostana
70
Doubt
62
Duchess, The
46
Dukes, The
63
Eden
xx
Extreme Movie
69
Fear(s) of the Dark
26
Filth and Wisdom
28
Fireproof
80
Frost/Nixon
43
Gardens of the Night
73
Girl Cut in Two, A
36
Good
54
Good Dick
73
Gran Torino
30
Guitar, The
84
Happy-Go-Lucky
31
Hounddog
26
House of the Sleeping Beauties
49
How About You
70
Hunger
72
I Served the King of England
70
I.O.U.S. A
40
Igor
79
I've Loved You So Long
64
JCVD
xx
Just Another Love Story
29
Lake City
59
Last Chance Harvey
82
Let the Right One In
31
Let Them Chirp Awhile
xx
Local Color
89
Man on Wire
74
Moscow, Belgium
36
My Name Is Bruce
28
Nobel Son
xx
Not Easily Broken
64
Nothing But the Truth
40
Other End of the Line, The
34
Otto; or Up with Dead People
75
Pool, The
78
Pray the Devil Back to Hell
xx
Rab Ne Bana Di Jodi
82
Rachel Getting Married
58
Reader, The
56
Religulous
32
Repo! The Genetic Opera
53
RocknRolla
64
Scott Walker: 30 Century Man
77
Secret of the Grain, The
84
Silent Light
86
Slumdog Millionaire
57
Special
80
Stranded: I Have Come from a Plane That Crashed on the Mountains
67
Synecdoche, New York
82
Tell No One
68
Theater of War
65
Timecrimes
83
Trouble the Water
43
Tru Loved
83
U2 3D
88
Waltz with Bashir
59
We Are Wizards
80
Wendy and Lucy
71
What Doesn't Kill You
55
What Just Happened?
61
Where God Left His Shoes
40
While She Was Out
81
Wrestler, The
xx
Yonkers Joe
93
Class, The
89
Man on Wire
88
Waltz with Bashir
86
Slumdog Millionaire
84
Christmas Tale, A
84
Happy-Go-Lucky
84
Silent Light
83
Trouble the Water
83
U2 3D
82
Tell No One
82
Rachel Getting Married
82
Let the Right One In
81
Wrestler, The
80
Wendy and Lucy
80
Stranded: I Have Come from a Plane That Crashed on the Mountains
80
Frost/Nixon
79
I've Loved You So Long
78
Pray the Devil Back to Hell
77
Secret of the Grain, The
76
Betrayal - Nerakhoon, The
75
Pool, The
74
Moscow, Belgium
73
Gran Torino
73
Girl Cut in Two, A
72
I Served the King of England
71
What Doesn't Kill You
70
Black Balloon, The
70
Hunger
70
Doubt
70
I.O.U.S. A
69
Ashes of Time Redux
69
Fear(s) of the Dark
68
August Evening
68
Theater of War
67
Synecdoche, New York
66
Che
65
Timecrimes
64
JCVD
64
Nothing But the Truth
64
Appaloosa
64
Scott Walker: 30 Century Man
63
Changeling
63
Eden
62
Duchess, The
61
Where God Left His Shoes
59
Last Chance Harvey
59
We Are Wizards
58
Adam Resurrected
58
Reader, The
57
Special
57
Defiance
56
Religulous
55
Boy in the Striped Pajamas, The
55
What Just Happened?
54
Battle in Seattle
54
Good Dick
53
RocknRolla
51
Breakfast with Scot
49
How About You
46
Dukes, The
43
Tru Loved
43
Gardens of the Night
40
While She Was Out
40
Igor
40
Other End of the Line, The
38
Dark Streets
36
My Name Is Bruce
36
Good
34
Otto; or Up with Dead People
32
Repo! The Genetic Opera
31
Hounddog
31
Let Them Chirp Awhile
30
Guitar, The
29
Lake City
28
Nobel Son
28
Fireproof
26
House of the Sleeping Beauties
26
Filth and Wisdom
xx
Just Another Love Story
xx
Dostana
xx
Cargo 200
xx
Local Color
xx
Rab Ne Bana Di Jodi
xx
Not Easily Broken
xx
Yonkers Joe
xx
Extreme Movie
Stars indicate the most critically-acclaimed movies.
|
Pride and Glory
New Line Cinema (Warner Bros. Pictures)
FILM:
MPAA RATING: R for strong violence, pervasive language and brief drug content
Starring
Edward Norton,
Colin Farrell,
Jon Voight,
Noah Emmerich,
Jennifer Ehle,
Frank Grillo,
Rick Gonzalez,
and
Shea Wigham
Pride and Glory is an authentic, gritty, and emotional portrait of the New York City Police Department. The film follows a multi-generational police family whose moral code is tested when one of two sons on the force investigates an incendiary case involving his older brother and brother-in-law. The case forces the family to choose between their loyalties to one another and their loyalties to the department. (New Line Cinema)
| GENRE(S): |
Crime
|
Drama
|
| WRITTEN BY: |
Robert Hopes
Greg O'Connor
Joe Carnahan
|
| DIRECTED BY: |
Gavin O'Connor
|
| RELEASE DATE: |
DVD: January 27, 2009
Theatrical: October 24, 2008
|
| RUNNING TIME: |
125 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Baltimore Sun
Michael Sragow
It overflows with a combustible blend of street sensitivity and testosterone.

83
Entertainment Weekly
Gregory Kirschling
Edward Norton is in top form as Ray, a burned-out detective whose investigation into the deaths of four cops leads him to suspect his brother-in-law, Officer Jimmy Egan (Colin Farrell, also terrific).

75
Rolling Stone
Peter Travers
Its value is unquestionable as drama and moral provocation.

70
The Hollywood Reporter
Michael Rechtshaffen
The stark drama harkens back to Sidney Lumet classics like "Serpico" and "Prince of the City"-filmmaking that went after an unadorned, jagged realism, with acting to match.

63
ReelViews
James Berardinelli
The final 15 minutes are so awful that it's difficult to believe that the bulk of the film is actually decent.

63
Premiere
Karl Rozemeyer
If you enjoy a cop drama, regardless how packed with trite and worn plot points, Pride and Glory should do the trick.

60
Salon.com
Mary Elizabeth Williams
What makes the characters in Pride and Glory real -- and raises the movie above the standard corrupt-cop fare -- is their capacity to live and die in shades of gray.

58
Christian Science Monitor
Peter Rainer
At times, Pride and Glory seems to be about a war between actors, not cops. Nobody comes off well.

50
The Globe and Mail (Toronto)
Liam Lacey
A talented cast and moments of brutal violence can't dislodge a sense of ho-hum predictability in Pride and Glory.

50
Boston Globe
Ty Burr
Everything in this good-cop/bad-cop action drama is shrouded in gray and attended by wailing. This isn't a feel-good genre, granted, but does it have to feel this bad?

50
Miami Herald
Rene Rodriguez
It's lifted from pretty much every movie or TV show you've ever seen about police corruption, only not done as well.

50
Variety
Todd McCarthy
Feels like a film that should have been made at least 25 years ago. Or made as a period piece. Heavy, doom-laden and, unfortunately, entirely predictable.

50
Chicago Tribune
Michael Phillips
Full of interesting little grace notes, and the cast is excellent, yet it grows more and more frustrating.

50
Philadelphia Inquirer
Steven Rea
Gritty, jumpy and rife with cliches.

50
Seattle Post-Intelligencer
Sean Axmaker
You can feel the debt to Sidney Lumet's '70s studies in police corruption and cop brotherhood, but O'Connor never captures the edge of danger, anger and moral stands being ground up in compromise.

50
Chicago Sun-Times
Roger Ebert
It follows the well-worn pathways of countless police dramas before it.

50
The New York Times
A.O. Scott
Not especially good, but there is enough rough artistry in Mr. O’Connor’s direction to make you wish the film were better.

42
Portland Oregonian
M. E. Russell
A movie full of actors improvising their idea of how cops in a Scorsese flick would talk. It's a special sort of cartoonishness, a hard-to-pin-down brand of emotionally grandstanding fakeness you sometimes see in movies trying way too hard to be "gritty."

40
Los Angeles Times
Carina Chocano
The movie is as histrionic as it is ham-fisted, a bad combination that leads to scenes such as the one in which officers threaten to torture a baby to get their point across.

40
New York Daily News
Joe Neumaier
Overshoots the mark by spinning its implausible, hyperviolent tale around too tight a family circle.

40
Austin Chronicle
Marjorie Baumgarten
It's a good thing this movie has been sitting on the shelf for a year or more, because, apart from the difference in release dates, there's little to distinguish this new cop drama from last year's cop drama "We Own the Night."

40
Film Threat
Rick Kisonak
There’s something fundamentally unconvincing and contrived about the story. Forget the fact that O’Connor hauls out every cliché in the bad cop handbook and the dialogue is more boilerplate than hard-boiled. The premise itself is just plain preposterous.

38
TV Guide
Cammila Albertson
Pride and Glory would be a pretty cool movie if it were made in 1982.

38
New York Post
Kyle Smith
Edward Norton plays Ray, a (possibly) honest cop wearing an unexplained scar positioned just so on his cheek. It looks like it was bought in the markdown aisle of Halloween Mart on Nov. 1.

38
USA Today
Claudia Puig
It's déjà vu all over again. There isn't much more to say about "We Own the Night 2." Oops, make that Pride and Glory.

30
Washington Post
Ann Hornaday
Pride and Glory would be risible if it weren't so reprehensible.

25
The Onion (A.V. Club)
Nathan Rabin
Norton is infamous for rewriting scripts and acting as a de facto director on his movies yet he seems lost and defeated here.

25
San Francisco Chronicle
Mick LaSalle
A single 125-minute monstrosity of a cop movie.

20
Village Voice
Robert Wilonsky
How ironic that a movie filled with police officers should end up feeling like a hostage situation.


The average user rating for this movie is 8.7 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.
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